Key Features:
Rosetta
200
The Rosetta 200,
Apogee’s successor to the PSX-100 and Rosetta AD namesake, delivers the quality
of the popular Rosetta 800, in a 2-channel AD/DA solution. Like the Rosetta 800,
the 200 features premium Apogee A/D and D/A conversion, 192k sampling rates
(standard), optional Pro Tools HD, Mix and FireWire expansion cards and core
Apogee technologies such as UV22HR, and SoftLimit. And while the Rosetta 200
shares much of its feature set with its cousin, it throws in some irresistible
extras such as the new Coda 'Audio Finishing Module,' full channel metering, and
MIDI and S/PDIF input and output. Flexibility and features galore make the
Rosetta 200 an outstanding option for professional and project studios,
mastering engineers, and audio archivists.
Legendary
Apogee Conversion in High-Definition
The most crucial
component in the digital recording environment is high-quality A/D conversion
and the most trusted and desirable converters are made by Apogee. With up to
192k sample rates, the Rosetta 200 combines Apogee’s legendary conversion
quality with flexibility that complements any digital audio workstation.
The All New
Coda: Audio Finishing Module, including the Aptomizer, Sample Rate Conversion
(SRC), and UV22HR
As higher definition
audio becomes ever-present in the recording process and music continues to be
delivered as a product at 44.1kHz/16-bit you need tools to minimize the loss of
detail and quality that can be inherent in the course of music production.
To meet these
challenges Apogee has developed Coda. Unique to the Rosetta 200, Coda offers a
trio of tools that will preserve the integrity of hi-def recordings with a
minimal loss of quality. Heading up the Coda threesome is Apogee’s “Aptomizer”.
With the Apotimizer you can maximize levels with out increasing noise and
distortion. Great for recording, and mastering, the Apotimizer’s “Learn” mode
allows the Rosetta 200 to automatically determine the optimum level, and use it
consistently to normalize incoming audio.
Another aspect of Coda is premium
sample rate conversion (SRC). In the past, Apogee hardware has not offered
sample rate conversion because the results were disappointing but recent
advances have made SRC a viable option and now a vital part of Coda. With
Apogee’s implementation of sample rate conversion you can up or down sample
without noticeably affecting the quality of your audio. Apogee’s "UV22HR"
dithering technology completes the Coda triangle by offering powerful reduction
of high-resolution digital audio to 16 bits for the Internet and CD mastering.
It is estimated that UV22HR is used on 8 out of 10 commercially released CDs in
the U.S. The Rosetta 200 with Coda on board provides an end-to-end solution for
capturing and optimizing high definition digital.
Connect
Directly to Pro Tools HD and Mix Systems (X-HD card, X-Digi-Mix card)
Like the all new
generation Apogee hardware, the Rosetta 200 has an expansion card slot that
accommodates all Apogee X-Series cards. This gives the Rosetta 200 outstanding
connection capability to Pro Tools HD and Mix systems. With either the “X-HD”
card or the “X-Digi-Mix” card connect the Rosetta 200 directly to your Pro Tools
core card, no other hardware required.
Professional
FireWire Connectivity (X-FireWire card)
FireWire and digital
audio are turning pro with Apogee’s new “X-FireWire" card. With the optional
FireWire card installed, you’ll be able to connect the Rosetta 200 natively to
any FireWire input device, with near zero latency and without the need for
additional hardware.
SoftLimit:
Maximize Levels, Minimize Overs
One of the greatest
difficulties in digital recording is getting an adequate level without clipping
and unwanted distortion. With Apogee’s SoftLimit, you can maximize digital
output levels without overs.
Intelliclock:
Dual Stage Jitter Reduction
Another essential for
outstanding digital recording is maintaining an ultra-low-jitter, clock signal.
To accomplish this, Rosetta 200 utilizes Apogee’s Intelliclock. Intelliclock is
really two clocks in one. A fast-responding ´read´ clock, with a wide locking
range, fills a dedicated FIFO buffer, while an ultra-low-jitter ´write´ clock
writes the data out of the buffer, and is used to clock the converters.
Features:
- 2 channels of premium 24-bit AD/DA conversion
- Sample rates up to 192kHz with Apogee's "Intelliclock"
- 2 channels of AES, S/PDIF (coax & optical), and
ADAT/SMUX I/O
- MIDI I/O
- Optional FireWire expansion card for compatibility with
OS X, and Windows XP (X-FireWire card)
- Optional expansion card for direct connection to Pro
Tools HD & Mix systems (X-HD card, X-Digi-Mix card)
- "Soft Limit" for maximum digital level without overs
- “Coda”: The “Aptomizer” Level Normalizer, Sample Rate
Conversion (SRC), and Apogee’s “UV22HR” for superior dither to 16-bit
- Full channel metering
Specifications:
- Sample rates: 44.1 - 48k, 88.2 - 96k, 176.4 - 192k
(+/-10%);
- Frequency response: 10 ˆ20k (+/- 0.2 dB) at 44.1k
- Analog max levels: +6dBV, +20dBu, +24dBu max (set by
internal jumper)
- Dynamic range: 114 dB A weighted (AD + DA)
- THD+N: -105 dB (AD), -103 dB (DA)
- Power: 90-250 VAC, 50-60Hz, 45Watt
Inputs:
- Analog In 1-2: Balanced, XLR connectors
- AES in: x 2, transformer balanced, XLR connectors
- S/ PDIF In: Toslink and Coax
- ADAT/SMUX In: Toslink
- WC In: BNC 75 ohm
Outputs:
- Analog Out 1-2: Balanced, XLR connector.
- AES Out: x 2, transformer balanced, XLR connector
- S/ PDIF Out: Toslink and Coax
- ADAT/SMUX Out: Toslink
- WC Out: BNC 75 ohm