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Edirol R-1 Recorder
It's been said many times that necessity is the mother of invention and several
factors have converged simultaneously to lead to the "invention" of
the portable compact flash audio recorder. While Edirol was not the first to
come to market with a handheld digital recorder, they are the first to release
one with high quality internal stereo microphones and it's been impossible
to keep up with demand for the R1 portable wav/mp3 recorder since it was unveiled
at the 2004 AES show. But, before getting into the features of the R1, let
me touch upon some of the "necessity" that's making this fun recorder
such a big hit.
What Can I Do With This Thing?
Podcasting: Involves recording either spoken word or music in mp3 format and
posting it on the web, for either playback on a computer or for transfer to
an iPod or other portable mp3 player. The listener can then playback the program
anywhere, at any time. It seems like everyone is getting into the act (we're
finishing up the first weekly audioMIDI.com podcast as I type this review).
Voice emails: Just last week, I received my first "voice email" from
a customer. Tired of typing out messages, just pick up a recorder, say what
you want to say, plug in a USB cable, drag the file to an email and send it.
It's a nice personal touch and will save you some type time.
Note taking: Want to remember what was said at a meeting? Want to maintain
eye contact with your boss while they're speaking? Want to playback a lecture
several times? Just set the R1 on your desk and record. Later you can quickly
scan through the digital audio and playback any segment as often as you like.
Oh, I almost forgot, even leave the classroom for a Starbucks run!
Ambient recording: Getting into home movies and amateur films and editing on
your computer? You may have just discovered that the audio in your camera won't
always do the trick and you wish you could go back to that busy street corner
or restaurant and capture a better recording of the noises and conversations
and drop them into your "movie". Just grab your R1 and record the
audio on another day and import it into iMovie or your video editor of choice
and presto, you've just "fixed" your audio problem!
Concert recording: While some major artists frown upon this practice, many
unsigned bands would love the exposure of having their concerts passed around.
Just remember to check with the band or venue to make sure it's ok...
Memory loss: Hey, we all have it from time to time. Just turn on a recorder
during any important conversation or job interview and play it back later.
Songwriting: If you're like me, you get your ideas in the car or on the beach.
Just pick up the R1 and sing or hum your song idea into the recorder. Drag
the files right into your recording software and you've got a scratch track
to build a song around.
Into The Nitty Gritty
I could keep going, but these are a few examples of applications for a portable
digital recorder. Now I'll get into why the R1 is a great solution for these
and many other uses. One big reason is the quality of the internal mics.
When we first heard the R1 for ourselves, we recorded a portion of our weekly
sales
meetings and played it back. It really sounded like the people in the room
were still talking. It was stunning! The internal mics are two omni-directional
electret microphones, which as I said sound great. Then, there's the fact
that it's a 24bit recorder, which basically means there is more dynamic range
for
the loudest and softest audio recorded to be captured clearly. This is essential
when recording things like music or ambience, but not such an issue with
spoken word recordings, in which case it's more important that you have the
capacity
for longer recording times. The R1 covers that, as well, because it can record
direct to mp3 format at lower bit rates, which don't sound as good on music,
but work fine for speeches and audio notes.
Another thing that makes the R1 great for long record times is the fact that
it records the audio direct to a compact flash card, which are the same cards
used in many digital cameras. The R1 can record on Compact Flash cards up to
4GB (a firmware update is required to use a card larger than 2GB, however).
At the lowest record setting of 64kbps mp3 format, you can record about 35
hours per 1GB of storage. That means, the largest cards can record for close
to 6 days! Now, audio quality and long record times still wouldn't make the
R1 a slam dunk if it required elaborate and expensive recording software to
get audio into a friendly format for emailing or saving on a computer.
While audio editing software can certainly be used to improve or edit out
unwanted portions of the recording, the R1 is easy to connect to a computer
via a USB cable. Once connected, a Mac or PC will see the R1 as a USB hard
drive and allow you to drag and drop or copy and paste, just as you would any
other file from a disk or hard drive. It's true that there are numerous ways
of connecting a microphone to a laptop and recording right into the computer,
but this requires software to capture the recording. With the R1, you have
a small, battery powered device that allows you to record without cables and
send those recordings to your computer without additional software. It's easy
and it sounds great, which is a lethal combination.
Nifty Extras
If great sounding recording and ease of data transfer were all the R1 had
going for it, it would still be a hot seller, but what pushes the R1 over
the top are it's built-in effects. These effects can be applied to the audio
while you record or during playback. It would be very cool if these effects
could be applied to the audio once it is recorded and then re-recorded or
re-sampled, creating a new file with the effect. Maybe this is something
Edirol can add in a firmware update or future model, however, most of the
time you will be able to zero in on an appropriate effect by monitoring what
you record with headphones and setting your effect as you listen. Here's
a breakdown of the internal effects.
Easy EQ: There are 11 preset EQ settings, which are tailored to various music
styles. You can also adjust the level of the EQ effect.
For Speech: This effect increases the clarity of a voice recording. It comes
with a De-esser for reducing sibilance, which are "s" sounds that
can plague a voice recording at times. There are also settings to boost clarity,
high end and low end to tailor this effect to a specific voice.
Voice Perform: These are just some fun sound effects to make your voice sound
silly. Included are High Tone (high-pitched robot) Low Tone (Darth Vador)
and Spacey (robot in a time warp of some kind). You can further adjust the
low and high EQ, panning and volume.
Editable EQ: This is a 10 band equalizer, which sounds quite good for a such
a small recorder. You can adjust the following set bands, 32Hz, 64Hz, 125Hz,
250Hz, 500Hz, 1kHz, 2kHz, 4kHz, 8kHz and 16kHz.
Noise Reducer: Combines a noise gate and a notch filter to reduce high end
hiss and background noise at the same time. This is a very useful effect
and it sounds great, even on prerecorded material. By the way, the R1 works
wonderfully as an iPod-like player for listening to music and this effect
can improve the sound of music if used sparingly.
Hum Noise Cut: This reduces low end rumble of a vehicle you might be recording
in or the hum of an Air Conditioner.
Reverb: Want to add some room or hall ambience to make your podcast sound
like it was recorded in a larger space? The built-in reverb sounds very good
and it's too be expected since Roland owns Edirol and has been putting reverb
in many of their products for years.
Int-Mic Rec: As I've said, the internal
mic sounds great, but still can be a bit thin for things like live music.
This effect uses modeling technology to trick the audio into sounding like
you were using a larger studio mic. It's great to use this as you record,
which frees up other effects for use during playback and there are 5 different
mic model settings.
Ext-Mic Rec: This effect is for the external microphone input and makes small
clip-on lav mics (or any small microphone) sound like they were larger studio
mics, as well.
Mastering: Another effect for improving the sound mostly for music recordings.
It uses an enhancer to brighten up the top end making the music sound clearer
and a two-band compressor/limiter to boost up softly performed parts of the
music and limit the louder performed portions.
Center Cancel: This is an effect used by many Karaoke-like devices, which
attempt to remove vocals from songs by canceling out the information mixed
in the center, where the lead vocal is usually panned in a mix. For most
songs, this does a nice job. It just depends on whether the lead vocal was
mixed in the center and without a chorus effect.
Tuner: This effect produces a tone at a fixed note, like C,D, E etc, in order
to tune an instrument. You can even use this during a recording, as this
effect won't be recorded with the audio.
Metronome: This effect is a big reason this recorder is so cool for songwriters
and musicians. You can set a time signature and tempo and play to a click
while recording and the click won't be recorded. This will make it much easier
to import the recordings into software and already have a set tempo to work
from.
Beyond the effects, the R1 allows you to monitor the level both using headphones
and using the led display. It also has a built-in limiter, which can be used
in addition to the effects section to avoid clipping (when a signal is too
loud to be recorded cleanly). You can also play audio at half speed, set
a repeat loop and turn on the "hold" switch to deactivate the buttons
while recording to avoid accidentally stopping or turning on an effect. The
R1 can work with external microphones that have a 1/8th inch connector, which
is basically any microphone designed to be used with a portable mini-disk
recorder. The R1 runs on two AA batteries and also comes with a power adaptor
and a carrying bag. Be advised, that you must turn off the unit when switching
from battery power to the power adaptor, or risk running down your batteries
and losing part of your recording (yes, I'm speaking from experience on this
one). In addition to recording to compact flash and transferring data via
USB, you can also connect a digital 1/8th inch optical cable to record either
a computer or another digital device.
It's a Wrap
The R1 is an amazing little recorder, which has come along at
a very opportune time. It's one of those devices that nearly everyone could
find a use for and for many people, it's a must have! I wish it could bounce
audio through it's effects, creating new files with the recorded effects,
but this in no way diminishes it's value. It's a testament to how good
the
built-in effects sound, more than anything. You can playback or record
with the effects turned on, which is usually enough to get a nice sounding
recording.
A built-in speaker would have also been nice, but would have required more
batteries, a larger size, wouldn't have sounded very good and really isn't
needed, when you can use headphones or easily transfer the audio to a computer
and play it there or burn it right to a cd to listen to. By the way, Edirol
also offers the more expensive R4 model, which does have internal speakers,
records up to 4 tracks and even has waveform editing, but still no re-sampling.
The R4 syncs to video cameras, as well, so it's an even better match for
would-be film makers. The R1, however, is perfect for most portable needs.
I'm buying one and I already bought my parents one and my wife asked me
for one to use at work. These things are addictive!
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