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doug@audiomidi.com

Making Music on Your Laptop...Part 3

Previously... on the Cutting Edge:
Last time we took a look at some of the software and MIDI controllers that lend themselves to laptop performance and recording. In this issue we explore the avenues of USB 2.0, Firewire 800, and the implementation of Wireless connectivity in the laptop music scene.

 

 

Laptops and LANs

It seems that we are at a crossroads these days. More and more people, musicians and others, are deciding to replace their desktop computers not with new desktops -but with laptops instead. In the words of Steve Jobs, Apples’ CEO, "2003 is the year of the Laptop" -and it shows. Every manufacturer has seen comparative increases in their laptop sales as users learn that both power and portability are simultaneously possible. We've talked before about some general issues with laptops, the hardware to connect to it, as well as the software to run on it. In this issue of the Cutting Edge we'll talk about some new computer technologies that are on the verge of extending the capabilities of musicians and anyone else who works with audio, on a laptop or desktop for that matter.

Directing Data

This probably isn't the most interesting subject but data transmission to and from your computer/hard drive and audio devices is crucial both for tracking and mixing. Most people are familiar with both Firewire and USB for audio devices and storage, but there have been some recent developments with both specs.

USB 2.0

USB 2.0 has surpassed Firewire 400 with respect to transmission rate coming in at a possible 480MBPS. The new spec increase should help open the doors for USB audio devices to reliably record more than two channels at a time. This is great news for owners of newer PC laptops that may not have support for Firewire. Many laptops on the PC side still do not come standard with Firewire ports, or may only have the 4 pin “iLink” Firewire connectors which do not carry a power and ground like the six pin connectors standard on Macs.

Firewire 800

Not to be outdone by USB 2.0 -Firewire, or IEEE 1394 (also known as iLink to Sony), has come out with a new spec -Firewire 800. With its 800 MBPS transmission rate Firewire 800 effectively doubles the previous Firewire’s specs. Also, the new Oxford 922 Firewire chipset will utilize OS X's built-in support for 7.1 surround sound. Firewire 800 will use a 9 pin configuration rather than the more traditional 6 pin found on Firewire 400. Yet, it is still backward compatible with “old” Firewire 400 as long as you get an adapter cable.

This is all fine and dandy but what does it mean to us musicians and audio slicers. The basic translation: Higher data transmission means greater multichannel recording abilities for audio devices as well as increased track counts when it comes to mixing our digital audio that lives on Firewire or USB based hard drives. This is also great news for laptop musicians who don’t have the choice of throwing a PCI based soundcard into their system.

Chips –No Dips Please

Chips/CPU’s are always increasing in speed, but on the Macintosh side the G4 chip manufactured by Motorola is approaching its maximum speed. There hasn’t been any major processor speed leap for some time, but that could be changing soon. The next generation chip (PPC 970) is designed and made by IBM and should allow for processor speeds of 1.8Ghz almost right out of the gate. Another big leap in this chip design is that it is based on 64bit processing. This will work nicely with Apple’s new OS 10.3 (code named Panther) which will also run native at 64bit processing. Of course, all this 64bit processing will be backwards compatible with applications still coded in 32bits –but once some native 64bit applications come out, Macintosh musicians should see some major gains in speed and overall system performance. OS 10.3 should come out sometime this summer and everyone is hoping that the new IBM chips will soon follow.

PC users won’t have to wait that long for a new chipset as Intel has recently brought out the Centrino. The Centrino chipset is a combination of a P4–M (Mobile) chip with integrated wireless (802.11b) and a new chipset. What does all this mean to for the PC laptop musician? Well, probably the biggest advantage is in the area of battery life. For instance, the new Centrino based Z1 from Sony has an estimated battery life of 6 hrs (13 hrs is possible with the double capacity battery) versus a regular P4 based laptop that might give you an hour and a half of use. Overall portability also increases by allowing slimmer and lighter laptop design. For example, the Z1 is less than an inch thick on its front side and comes in at just over 4 pounds. Another potential boon for laptop musicians is the integrated wireless technology…..

Wireless -Who Needs Cables?

Well, as of now every musician needs some type of cable (either for their microphones, or their keyboards) but wireless technology can still enter into the equation for transmitting MIDI files, templates, sequences, and even audio itself, with no cables needed.

Wireless networking for computers works in a similar way as cordless phones. The cradle, or phone holder, would be the Access Point (AP) and the computer would be the phone itself –allowing you to roam around and still transfer files or even stream audio to other computers and LAN’s (Local Area Networks). In fact, the most popular form of wireless, 802.11b, works on the same frequency of your cordless phone -2.4GHz. Sadly, 802.11b only allows for an 11-15 MBPS transfer rate (not something you’d want to send audio files over). However, 802.11g ups the ante with a theoretical transfer rate of 54 MBPS as well as being backward compatible with 802.11b. One of the biggest problems facing 802.11b and g is the fact that it runs at 2.4GHz, just like your cordless phone and microwave which means interference can come into play. On the flip side, 802.11a utilizes the 5GHz band and is less susceptible to interference as well as supporting 54 MBPS, but unfortunately it is also much more
directional and can have problems with its range. Additionally, 802.11a is not backwards compatible with the almost universal 811.2b. While wireless still might not be ready for beaming around ultichannel audio it’s getting closer and is something to keep in the back of your head.

In Conclusion

Hopefully the above info will bring you up to speed on some of the latest technology that will allow musicians and artist on the go to fit their entire DAW into a powerful and portable laptop system. One thing to remember though is that it is simply technology -it will always be changing, and the people actually making music out there are usually doing so in spite of technology –finding creative inspiration in the limitations of their systems. So Make More Music!


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