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doug@audiomidi.com

 

AES 2004: I Left My Tranzporter In San Francisco

The “City By The Bay” was the host of this years Audio Engineering Society’s convention at the Moscone Convention Center. AES is a smaller show than winter NAMM in Los Angeles or Musik Messe in Frankfurt, Germany. Filling only one large floor (rather than 3-5), it was easy to find and see everything at the show. Also, the W Hotel dressed up as the "Remix Hotel" for Halloween weekend, hosting live performances and new products from companies like M-Audio and Native instruments. Overall it was a great show and it was nice to see the first time booth from Tape-Op magazine.

 

 

Get To The New Stuff Already...

There wasn’t a huge amount of new gear this year at AES but plenty of updates and improvements to talk about. Here’s a brief synopsis offered for your perusal.


Frontier Audio Designs
                                  
The gizmo that seemed to create the biggest stir at the 2004 AES convention was also one of the tiniest new products. Frontier Audio makes some highly reputable audio interfaces, like the Tango, but more recently has been working in conjunction with Tascam on control surfaces/interfaces like the FW-1884. I heard all about their new wireless control surface on the first day of the convention and it was top on my list to check out the next morning. The TranzPORT is a unique little device that looks more like the latest PDA than a control surface, but spend two minutes with it and you will be hooked, The Tranzporter is the Game Boy Advance for us recording geeks and I would expect everyone who has a DAW will want one. Basically this is a jog shuttle wheel, some buttons/transport controls, and an LCD display that sits in the palm of your hand and controls simple DAW functions wirelessly through RF. This means you don’t even have to be in the same room as your DAW to push the Record button, which is great if you track in a different room. You can also easily set up loop points, insert markers, control volume and pan, as well as virtually anything else you want to link to. At $199 this could be the control surface for the masses. Look for the Tranzporter to hit the street in early 2005.


Tascam
Frontier Audio had a busy year. On top of the Tranzporter mentioned above, they also collaborated with Tascam on a new FireWire control surface (FW-1082), and a new FireWire interface (FW-1804).The control surface is a scaled down version of the FW-1884 FireWire interface with 10 Ins and 4 Outs at 96kHz/24 bit.

 

The FW-1082 is priced at $799 and you can pre-order one now. The FW-1804 FireWire interface is basically a rackmount version of the FW-1884, sells for $599, and is also available for pre-order. Tascam was also showing the VL-S21 monitors. These little guys are less than an inch thick and come with a Sub-Woofer. They will sell for $99.

 

Universal Audio
The UAD-1 has two new plug-ins heading into the line-up. The first is a high quality limiter that is very transparent and will be a great way to keep your digital levels in check. The second is the Plate 140 Reverb emulation. It is hard to make sonic judgements on the AES floor, but the reverb tails sounded excellent to my ears. The plug-ins will be available directly from Universal Audio.


Native Instruments
Native Instruments Battery 2 has been one of the hottest updates of the year. Not to reston their laurels, Native Instruments announced Absynth 3 at AES. Absynth 3 adds new oscilators, real-time fractalize, and audio input to its bag of tricks. Many synth-tweakers are looking forward to this one. Absynth 3 will be available in December. Native Instruments also announced Guitar Rig 1.2 which will add four new distortion modules. The update will be FREE for all Guitar Rig owners.


Presonus

Presonus has been on a roll as of late. The Eureka channel strip is gaining a great reputation and the FirePOD is a nice new FireWire interface. At AES Presonus announced the Firebox, a portable/bus-powered FireWire interface that would make anyone with a laptop drool.The FireBox has two micr/instrument preamplifiers, two analog line inputs, six balanced analog outs, and S/PDIF and MIDI input/output. All this at around $400 bucks.


Submersible Music
Submersible Music are the guys behind the popular drum sampler/loop library Drumcore. You can read the audioMIDI.com review here. The exciting news is that Drumcore 1.5 is coming and will now be both Mac and PC compatiable. Look for it in early 2005. There will also be an Apple Loops version of the Drumcore content as well as MattPack 1, a add-on drummer pack filled with the drumming of Matt Sorum. The MSRP for the Apple Loops will be $49.95, MSRP for MattPack 1 will be $79.95.


SE Electronics
SE Electronics has a new, state-of-the-art fabrication facility and a brand new microphone model as well. All SE Electronic mics are hand assembled and if you would like to here them for yourself you can check out our Mic Demo. The new mic utilizes a titanium diaphram which is purported to be more responsive and consistent. The MSRP will be $750 and the mic should be available sometime in January.


Arturia
Arturia, known for there excellent virtual recreations of the Minimoog, Moog Modular, and Yamaha CS80v is now adding the ARP2600 to its lineup. If their other virtual-instruments are any indication this will be a great sounding synth. The original ARP 2600 debuted in 1972 and was known as the "Blue Meanie". Less than one hundred of these synths were made so it will be great to have a "virtual" model available  to the masses.


DSP Quattro
If you haven’t heard of it yet, and you own a Mac then you need to take a look at DSP Quattro. DSP Quattro is a popular new sample-editor for OS X at a great price. The brainchild of Stefano Daino, who also worked extensively on the TC Works Spark editor, the latest update to DSP Quattro has some cool new features for batch-processing. The software also acts as an virtual-instrument and plug-in host, allowing you to play a virtual-synth and record your performance. Look for an upcoming audioMIDI.com review of this unique sample editor for OS X.


PSP

PSP Audioware has updated all there plug-ins for VST, DXi, and AU compatibility. Even more exciting, the PSP team has devised an elegant Preset system that allows you to define which presets will be loaded and also allows you to interchange presets between different versions of the plug-ins (AU and VST for example). If you haven't heard of Vintage Warmer or the PSP 42 and 82 delay plug-ins you are missing out.

BIAS
BIAS was showing SoundSoap 2 at AES this year. If you are not familiar, SoundSoap is a great program for cleaning up hiss, crackles and hum in your recordings or restorations. SoundSoap 2 did an amazing job and cleaning up messy dialogue and crackling vinyl in the demo I heard. It also has a nicely designed GUI and is very easy to use.


Edirol
Edirol was showing a couple interesting new products for anyone into location recording. The R1 is a small little handheld unit not much bigger than an iPod. It can record to Compact Flash and has a stereo mic built in, You can easily transfer your remote recordings to a computer via the USB 2.0 connection. The on-board mic was impressive for such a small unit, and the fact that it can record up to 24 bit WAV files is a big plus. The R4 is set up more like a traditional 4-Track location recorder and has a 40GB internal hard drive, 4 mic inputs, digital I/O and can also use Compact Flash. The R1.


As always, stay tuned to the audioMIDI.com eNews for the latest reviews and new product info.


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