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ProTools Corner - July 20th, 2006

A weekly column for tips, tricks, and other fun stuff related to ProTools.

By Scott Church
scott@audiomidi.com

 

Moving It Around

One of the most enjoyable aspects of writing the Pro Tools Corner, is being able to discuss and share topics and techniques that relate to the personal projects that I am working on. This month in particular, I have found myself dealing with issues of collaboration, and finding the best way to send and receive Pro Tools sessions to those who I am working with. One of the many splendors of working with Pro Tools (or any DAW application) is the ability to work with others simply by opening the session file. You can easily track a session in Los Angeles, have it edited in New York and mixed in San Francisco (or anywhere in between), working with the best team possible, not just the best people in your locale. This week, we discuss the various ways for whisking your Pro Tools session around all corners of the globe, pointing out the pros- and cons- of each method.

Uncle Sam and His Friends

Perhaps the simplest way for sending someone your Pro Tools session to work on is to burn a DVD of your session and drop it off at your local U.S. Post Office, Federal Express or UPS office.

Pros: Once you have figured out how to properly burn a DVD of your Pro Tools session (including all the necessary media – that would be a great topic for the Pro Tools Corner actually), no further wrestling with technology is involved. The recipient on the other end, simply waits for it to arrive and copies it on their system, with nothing more to explain.

Cons: The cost of sending Pro Tools sessions via courier service can add-up over time and may not be insignificant, especially if immediate delivery is typically required. There’s just no instant gratification with snail mail.

Looking Online

Until recently, this option seemed to fit the bill for me. There are several online services such as your web host/isp, Apple (.Mac) and other third parties that provide online storage. If your domain (www.yourcompany.com) is hosted by a provider that includes oodles-and-oodles of space, then you can usually setup HTTP or FTP access to use for file transfer. If you are using a Macintosh, you can’t beat the integration of iDisk and .Mac. Although the standard 1GB allotment might not be enough, you can purchase additional space. There are also free services such as YouSendIt which send an email to the recipient instructing them to click on a link for the download.

Pros: Online services maybe more cost effective (especially the free ones), and provide the quickest delivery possible using the Internet.

Cons: I do get nervous about the security of such services. It is our duty as Pro Tools Operators to protect our client’s Pro Tools sessions with our lives. It’s hard to truly trust a service/server that you don’t have control over.

DigiDelivery the Digidesign Way

Okay you caught me, this is the option that I have recently employed, and the experience of setting it up, is really what precipitated this article. If you don’t know much about DigiDelivery, it is a server appliance developed by Digidesign (based on their acquisition of RocketNetworks…anyone remember ResRocket?). Although you can read all the techno-babble on their website, here’s the gist:

  1. You purchase the DigiDelivery Server (It is located at your location and is connected to the Internet via your high-speed connection. It requires a static IP address, not a dynamic assignment to work, and should always be left on).
  2. Using your LAN (local area connection) you use the free DigiDelivery Client software to quickly transfer your Pro Tools Session (or an yother file for that matter) to the DigiDelivery (because the DigiDelivery is a part of your LAN, it avoids the Internet and is very fast to do).
  3. The recipient gets an email instructing them to download the free DigiDelivery Client software, and a link that they copy into their web browser to securely receive the download.


Pros: Because you have control of the DigiDelviery, you can secure it using whatever measure you see fit. It has many built-in security features, and eliminates the long upload time when you need to send something out to someone (the recipient still must download via the Internet). It’s integration with Pro Tools is a nice touch, and just as with the online services, it provides instant gratification and quicker payment.

Cons: DigiDelivery is not cheap (there are two versions of the server the LT and the GT), however it maybe a option your clients are willing to pay for, making it a billable service. It is very loud – I am now in the market for a good isolation box (someone help!). You really need to place the DigiDelivery out of any working/living space, as it creates some serious fan noise and will drive your crazy – it’s a server, not a piece of audio gear.

Side Note: Surviving the Installation and Setup of a DigiDelivery Server

My advice for getting through the setup of a DigiDelivery Server, really has to do with patience. Let’s face it, most of us are darn fine musicians and engineers, but networking really doesn’t excite me (and may not do it for you either). However, the key to licking this necessary evil, is to know that nothing goes right the first time, and there is nothing embarrassing about setting aside an entire day (or more) to get it all up and running.

Most likely, you will have to work with your ISP (Internet Service Provider) and the manufacturer of your router to provide the correct networking information in the DigiDelivery Setup Wizard. You might even have to contact Digidesign Technical Support, as I did (my first call ever).

For me, after finally figuring out the right information to use, the Wizard kept reporting an error on Port 80 (which didn’t mean a whole lot to me), yet it was working fine. A very nice person in Technical Support, told me that sometimes that message appears as an error (bug?) and not to worry if everything is working as it should.

Now that it is all setup, I never have to touch it, and sending files to friends and colleagues has never been as easy or worry-free.


Pro Tools Tidbits

  • Ableton has announced Live 6 due in September 2006.
  • API has released the A2D Digital Converter, a microphone pre-amplifier with digital output. (HD and LE)
  • Digidesign has announced their next software instrument release – Strike! a virtual drummer and drum module due in early August 2006. (RTAS)
  • DUY () has released Magic Spectrum, a mastering tool. (TDM and RTAS)

 

If you have a Pro Tools related question that you would like me to take a shot at answering or have any feedback, please send it to scott@audioMIDI.com. I will do my best to select the questions that seem to stump the most people.


As always, stay tuned to the audioMIDI.com eNews for the latest reviews and new product info.


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